Ron Jeremy
5 Films
Ron Jeremy
5 Included Films
Ron Jeremy is the stage name of an American pornographic actor. Nicknamed "The Hedgehog", he was ranked by AVN at number one in their "The 50 Top Porn Stars of All Time" list. Jeremy has also appeared in non-pornographic films, such as The Boondock Saints, The Chase, Orgazmo, and 54. He is noted for his 9.75-inch (~24.75 cm) penis (self-reported) —and he has gained some notoriety for being capable of autofellatio (which he first demonstrated on-screen in Inside Seka). Jeremy was accused of sexual assault more than a dozen times between 2017 and 2022, for incidents stretching back to 2004. He was charged with 30 counts of either rape or sexual assault over a span of 16 years from 2004 to 2020 that involved 21 victims, including a 15-year-old girl. He was initially jailed awaiting trial, but Jeremy's trial was suspended pending a mental health examination, after Jeremy was reported to be "incoherent" and unable to recognize his own lawyer, and was subsequently transferred to a mental health facility in November 2023. A judge found him mentally unfit to stand trial due to "incurable neurocognitive decline"
Director: Ivan Reitman
2022 Sony Ultimate Collection 4K Blu-ray
Sony 4K Blu-ray, only 2022 'Ultimate Collection' has dolby vision. 2022 ‘Ultimate Collection’ also has a higher average bitrate.
Director: Ivan Reitman
2022 Sony Ultimate Collection 4K Blu-ray
Sony 4K Blu-ray, only 2022 'Ultimate Collection' has dolby vision. 2022 ‘Ultimate Collection’ also has a higher average bitrate.
Director: George P. Cosmatos
Arrow 4K Blu-ray: the 2.0 and 4.0 mixes are said to be particularly strong against the muted / dull 5.1
Director: George P. Cosmatos
Arrow 4K Blu-ray: the 2.0 and 4.0 mixes are said to be particularly strong against the muted / dull 5.1
1991 Home Video Cut: Paramount 2008 Blu-ray Coppola Restoration
Theatrical Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and worse encoding than the Coda cut.
Coda Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and also has slightly better encoding than the Theatrical/1991 Home Video cuts on 4K.
1991 Home Video Cut: Paramount 2008 Blu-ray Coppola Restoration
Theatrical Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and worse encoding than the Coda cut.
Coda Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and also has slightly better encoding than the Theatrical/1991 Home Video cuts on 4K.
LaserDisc for original mix
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part III fares best of the three and these issues are at their most minimal-but they're still there. The new Coda version is given prominence with lesser encodes for the other two versions. The original mix was remixed into 5.1 decades ago and we have yet another version of this instead of the original Dolby Stereo SR as heard on the LaserDisc release.
The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
1991 Home Video Cut: Paramount 2008 Blu-ray Coppola Restoration
Theatrical Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and worse encoding than the Coda cut.
Coda Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and also has slightly better encoding than the Theatrical/1991 Home Video cuts on 4K.
1991 Home Video Cut: Paramount 2008 Blu-ray Coppola Restoration
Theatrical Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and worse encoding than the Coda cut.
Coda Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and also has slightly better encoding than the Theatrical/1991 Home Video cuts on 4K.
LaserDisc for original mix
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part III fares best of the three and these issues are at their most minimal-but they're still there. The new Coda version is given prominence with lesser encodes for the other two versions. The original mix was remixed into 5.1 decades ago and we have yet another version of this instead of the original Dolby Stereo SR as heard on the LaserDisc release.
The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: John Frankenheimer
Directors: Mark Neveldine & Brian Taylor
Directors: Mark Neveldine & Brian Taylor
5 films